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Configuring Constraints Directly 制約を直接指定する 同じフィールド（XY、YZまたはXZと平行の）で、座標軸と平行であるか、同じことであるために2ポイントを束縛するTarget Point機能を使うことができます。たとえば、Ｘ軸と平行の2ポイント、床と平行の他の2ポイント、起源になる第5のポイントをセットアップすることができます。 後ろの壁（座標系のZ上）を決定する3つのトラッカーがあると思ってください。 1) 座標系コントロールパネルに切り替えてください 2) 3つのトラッカーがA、BとCであるならば、Bを選択し、そしてALTを押しながら（マック：command）、Aをクリックしてください。 3) 制約タイプをUnlockedからSame XZ PLANEに変えてください。 4) 同様にCを選択し、ALT（Command）を押しながらAを選んで、Same XZ Planeにセットしてください。 これは回転を部分的に明らかにするだけでした。BとCがAのまわりで自由に回転（Y軸のまわりの平面上のどんな点にでも）できるため、もう一つの回転を指定する必要があります。 垂直に列をなさなければならない他の2つのトラッカー、DとEがある場合は、EとAlt/Command-Click Dを選んで、Z Axis（または、それらが水平ならばＸ軸）に、平行にセットしてください。 Fine point：座標系をセットアップしたとき、それが最初のフレームで大まかに配置され、正しく方向付けされるように、あなたは3D内ででカメラを調節しなければなりません。さもなければ、さかさまにセットされたカメラで緊張をほぐすことができます。それは等しく有効なカメラ位置です。 （原文） Each tracker has individual constraints that can be used to control the coordinate system, accessed through the Coordinate System Control panel. The *3 button automatically configures these controls for easy use, but you can manually configure them to achieve a much wider variety of effects—if you keep in mind the mental picture of the busy little feet in the coordinate measuring machine. Those feet do whatever you tell them, but are happy to wreak havoc in any axis you do not give them instructions for. As examples of other effects you can achieve, you can use the Target Point capability to constrain two points to be parallel to a coordinate axis, in the same plane (parallel to XY, YZ, or XZ), or to be the same. For example, you can set up two points to be parallel to the X axis, two other points to be parallel to the floor, and a fifth point to be the origin. Suppose you have three trackers that you want to define the back wall (Z up coordinate system). 1) Go to the coordinate system control panel 2) If the three trackers are A, B, and C, select B, then hold down ALT (Mac Command) and click A. 3) Change the constraint type from Unlocked toSame XZ plane. 4) Select C, and ALT-click (Command) on A, and set it to Same XZ Plane also. This has nailed down the translation, but rotation only partially—the feet will be busy. You also need to specify another rotation, since B and C can spin freely around A so far (or around the Y axis about any point in the plane). You might have two other trackers, D and E, that should stack up vertically. Select E and Alt/Command-Click tracker D and set it to Parallel to Z Axis (or X axis if they should be horizontal). Details of Lock Modes ロックモードの詳細 There are quite a few different constraint (lock) modes that can be selected from the drop-down list. Despite the fair number of different cases, they all can be broken down to answering two simple questions (1) which coordinates (X, Y, and/or Z) of the tracker should be locked, and (2) to what values. ドロップダウン・リストから選択することができる相当な数の異なる制約（ロックします）モードが、があります。 異なるケースのかなりの数にもかかわらず、それらのすべては、2つの単純な質問に答えることに分類することができます： （1）トラッカーの座標軸（X、YやZ）は、どこにロックされるべきか？ （2）そして値はなにか？ The first question can have one of eight different answers all the combinations of whether or not each of the three coordinate axes is locked, ranging from none (Unlocked) to all (Lock Point). Rather than listing each of the combinations of which axes are locked, the list really talks about which axis is NOT locked. For example, an X Axis lock really locks Y and Z, leaving X unlocked. Locking to the XZ plane actually locks only Y. The naming addresses WHAT you want to do, not HOW SynthEyes will achieve it. 第1の問題は、8つの異なる答えのうちの1つを持つことができます： 3本の座標軸の各々がロックされるかどうかの全組合せです。（ロックなしから全ロックまでの8通り）。 軸がロックされる組合せの各々をリスト化するのではなく、リストはどの軸がロックされないかについて表示します。 たとえば、Ｘ軸ロックは、実際はYとZをロックします、Xはアンロックのままです。 XZ平面ロックとは、実際はY.だけをロックです。 The second question has three possible answers (a) to zero, (b) to the corresponding “Seed and Lock” spinner, or (c) the corresponding coordinate from the tracker assigned as the Target Point. Answer (c) is automatically selected if a target point is present, while (a) is selected for “On” lock types, and (b) for “Any” lock types. Use the Any modes when you have some particular coordinates you want to lock a tracker to, for example, if a tracker is to be placed 2 units above the ground plane. 第2の問題は、3つのありうる答えを持ちます： （a）ゼロ （b）Seed and Lockスピナーに従う （ｃ）Target Pointとして割り当てられたトラッカーから対応する座標軸 （ｃ）はTarget Pointが存在すれば自動的に選択されます。(a)はロックタイプが「オン」の場合に選択されます。（b）は「Any」ロックタイプです。 たとえば、トラッカーが接地平面より上の置かれた2つのユニットであるならば、トラッカーをロックしたい特定の座標を持つとき、Anyモードを使用してください Watch Out! If you select several trackers, some with targets, some without, the lock type list will be empty. Either select fewer trackers, or right-click the Target button to clear the target tracker setting from all selected trackers. Here s the total list 注意！ いくつかのトラッカー（ターゲットで）を選択するならば、ロック・タイプ・リストは空です。 少しのトラッカーを選択するか、Target ボタンを右クリックして全ターゲットトラッカーセッティングをクリアして下さい。 Lock Mode ロックモード Axes Locked 固定軸 To What 値 Unlocked None Nothing Lock Point X,Y,Z Spinners Origin X, Y, Z Zero On X Axis Y, Z Zero On Y Axis X, Z Zero On Z Axis X, Y Zero On XY Plane Z Zero On XZ Plane Y Zero On YZ Plane X Zero Any X Axis Y, Z Spinners Any Y Axis X, Z Spinners Any Z Axis X, Y Spinners Any XY Plane Z Spinners Any XZ Plane Y Spinners Any YZ Plane X Spinners Identical Place 同一の場所 X, Y, Z Target || X Axis X軸と平行 Y, Z Target || Y Axis Y軸と平行 X, Z Target || Z Axis Z軸と平行 X, Y Target Same XY Plane Z Target Same XZ Plane Y Target Same YZ Plane X Target Configuring Constraints for Tripod-Mode Shots 三脚-モード・ショットのための制約の構成 カメラが三脚モードで構成されるとき、より単純な座標システム設定を使うことができます。 三脚モードでは、全体的なサイジングは必要とされません、また、起源は必要とされませんし、許されません。 計算されたシーンは整列しなければならないだけです。ただしそれさえも必須ではありません。 最も単純な三脚調整構成は水平線上にある、もしくは、少なくとも水平線を作ってほしい2つのトラッカーを見つけることに頼ります。 2つのうち、1つにＸ軸であるよう命じます。100のノーマルのワールド・サイズの場合、座標X=100、Y=0、Z=0にロックするようにしてセットします。 ワールド・サイズが250であるならば、ロック・ポイントは250、0、0であるでしょう： 遠いトラッカーは、X2乗+Y2乗+Z2乗がワールド・サイズの2乗に等しい座標に、常にロックされなければなりません。 正しく示されるためにそれを除けば、制約が正しく働くことは、必要でありません。 1本の軸を明らかにして、他のトラッカーは「On XY plane（XY平面上）」（Y-UP座標の場合XZ）のラベルをはる必要があるだけです。 Tips： かなりの角度をパンする三脚shotの場合（120度以上）、カメラ、レンズで小さなシステムエラーが発生し、トラッキングはバナナ形のパスを引き起こすことがあります。 これを避けるために、水平線またはもう一つの直線に沿ってトラッカーの継承をセットしてください、そして、あるべき場所にそれらを固定pegしてください、さもなければ、aroll-axis lockを使ってください。 Constrained Points View After you have set up your constraints, you should check your work using the Constrained Points viewport layout, as shown here This is the view with the recommended (front/back-variant) constraint setup in Z-Up coordinates, as applied to a typical shot, after solving. Only trackers with constraints are listed, along with what they are locked to (coordinates or another tracker). The solved position is shown, along with the3-D errorof the constraint. For example, if a tracker is located at (1,0,0) but is locked to (0,0,0), the 3-D error will be 1. It will have a completely different 2-D error in hpix on the coordinate system panel. The constrained points view lets you check your constraints after solving, giving you the resulting 3-D errors, or check your setup before solving, without any error available yet. You can select the trackers directly from this view and tweak them with the coordinate system panel displayed. Upside-down Cameras Selecting the Desired Solution Many coordinate system setups can be satisfied in two or more different ways completely different camera and tracker positions that are camera matches, and satisfy the constraints. To review, the most basic 3-point setup consists of a point locked to the origin and a point locked to a specific coordinate on the X axis, plus a third point locked to be somewhere on the ground plane (XY plane for Z-up). This setup can be satisfied two different ways. If you start from one solution, you can get the other by rotating the entire scene 180 degrees around the X axis. If the camera is upright in the first solution, it will be upside-down in the second. The third point will have a Y coordinate that is positive in one, and negative in the other (for Z-Up coordinates). If you take this basic 3-point setup, and chase the setup of the second point from a lock to (20,0,0) to “On X Axis,” and add a separate distance (scale) constraint, there are nowfourdifferent possible solutions the different combinations of the second point s X being positive or negative, and the third point s Y coordinate being positive or negative. SynthEyes offers two ways to control which solution is used. Without specific instructions, SynthEyes uses the solution where the camera is upright, not upside-down. That handles the most common case, but if you need the camera upside-down, or have a setup with four solutions, you need to be more specific. SynthEyes lets you specify whether a coordinate should be positive or negative (a polarity), for each coordinate of each constrained tracker. The Coordinate System Control panel has buttons next to the X, Y, and Z spinners. The X button, for example, sequences from X to X+ to X-, meaning that X can have either polarity, that X must be positive, or that X must be negative. If there are two solutions, you should set up a polarity for an axis of one point; if there are four solutions, set the polarity for one axis of two points. For example, set a polarity for Y of the 3rdtracker, and an X polarity for the 2nd(on-axis) tracker. Subtleties and Pitfalls The locks between two trackers are inherently bidirectional. If you lock A to B,do not lock B to A. Similarly, avoid loops, such as locking A to B, B to C, and C to A. If you want to lock A, B, C, and D all to be on the same ground plane with the same height, say, it is enough to lock B, C, and D all to A. When you choose coordinates, you should keep the scene near the origin. If your scene is 2000 units across, but it is located 100000 units from the origin, it will be inconvenient to work with, and runs the risk of numeric inaccuracy. This can happen after importing scene coordinates based on GPS readings. You can use the Track/Shift Constraints tool to offset the scene back towards the origin.
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Release Note Release Date 5 Aug, 2009 Notes Cadencii requires ".NET Framework Runtime(version 2.0 or later)". Installer of this rumtime is available from the link below. .NET Framework Runtime Download .NET Framework 3.5 SP1 Cadencii can be launched with the latest version of mono. This enable you to use Cadencii with many platforms supported by mono. (Note Several functions using VOCALOID2 VSTi are not available in this case.) Mono is available from the link mono download Download Cadencii version 2.3.0 (634KB) How to get source codes Source code is available on SourceForege.JP. Please follow the instruction below for checking out the SourceForge.JP s SVN repository. svn checkout -r 401 http //svn.sourceforge.jp/svnroot/cadencii/branches/2.3 ./ These svn command is for checiking out "THIS" version of Cadencii. In order to get the latest source codes, please remove "-r" option.
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Release Note Release Date 15 Aug, 2009 Notes Cadencii requires ".NET Framework Runtime(version 2.0 or later)". Installer of this rumtime is available from the link below. .NET Framework Runtime Download .NET Framework 3.5 SP1 Cadencii can be launched with the latest version of mono. This enable you to use Cadencii with many platforms supported by mono. (Note Several functions using VOCALOID2 VSTi are not available in this case.) Mono is available from the link mono download Download Cadencii version 2.3.2 (639KB) How to get source codes Source code is available on SourceForege.JP. Please follow the instruction below for checking out the SourceForge.JP s SVN repository. svn checkout -r 416 http //svn.sourceforge.jp/svnroot/cadencii/branches/2.3 ./ These svn command is for checiking out "THIS" version of Cadencii. In order to get the latest source codes, please remove "-r" option.
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タグ解説 主なものを紹介。他にも色々あるので調べてみましょう！ 分類分けにはカテゴリー(html4ではブロック要素、インライン要素)がありますが、 ここでは意識せず、適当に分類しています。 htmlの構造系のタグ html htmlの始まりを html ,終わりを /html とする。 head ヘッダ情報。具体的内容を表すbody以外全部を示す。 script スクリプトタグ。deferやasync等を利用すると、指定したスクリプトの実行タイミングを変えることが出来る meta メタ情報を記述する。サイトの説明や文字種などの説明もここで行うことができる。 title タイトルをここで囲うことで設定する。 body htmlの文書内容 label label for="id名"とすることで、チェックボックス等のラベルにすることが出来る iframe インラインフレームを作成する。seamlessをつけると境目が無いように出来る frameset フレームを作成する 文章構造系タグ div タグで囲んだ部分をひとまとめとして扱う span このタグで囲うことで、囲まれた部分に名前を付けスタイル等の操作が行える 例 span class="" /span article html5 それだけで内容が完結する記事、セクション section html5 意味をひとまとめにしたセクションを表す aside html5 補足情報のセクション nav html5 ナビゲーションを表す h 見出しの作成に用いる。 h1 , h2 のように上下関係をつけることもできる。 p 段落 ul 箇条書きにすることができる。項目には li ;(点の箇条書き)や ol (数字の箇条書き)等を使う。 hr html4では水平線を引くことができる。html5ではテーマの区切りを表す意味に変わった模様。 フォーム系と要素の特徴を表す系のタグ a URLのリンクをはることができる。 a href="http //どこかのサイト はよく使う。 a href="適当なID" として、 xxx id="適当なID" を指定すると、そのタグまで移動することもできる。また、html5からはdownload属性等もある。 table 表を作るときに使用。 tbody で囲ったものはtableのボディ部を表し、 caption で囲ったものは見出しを表し、 tr で囲ったものはは行を表し、 td で囲ったものははデータの内容を表す。尚、本来の目的である表以外、例えばレイアウトを構成するために使うのは好ましくない。CSSでdisplay table等があるのでそちらを活用しよう。 select プルダウンフォーム。 option が選択肢。 optgroup とすると、グループ化できる。 input 入力フォーム。 button ボタンを表すタグ textarea 複数行のテキストフィールド map クリッカブルマップを生成。areaでハイパーリンク領域を設定する。 number html5 数値を入れるフィールド。step属性を指定すると、上下ボタンでstepで指定した数だけ数値を上下させることができる progress html5 プログレスバー meter html5 測定値。進捗状況ではなく電力使用量等のパラメータ値をバー等の形式で表示する form フォームタグ。action="実行時の動作",method="サーバーにGET,POSTか",target="表示ターゲット。 fieldset フォームをグループ化する。 legend タグと組み合わせて使う datalist html5 データリストを定義する。このタグで定義したデータリストを使用する要素はlist="datalistタグのid名"を属性として書くことで使用する。 dl,dt,dd 定義型リストを作る。dtが定義、ddが説明で、それらをdlで覆う。 menu html5 操作メニュー用のタグ。 dialog html5 ダイアログを表すタグ。 スタイル系のタグ br 改行を行える。 wbr html5 このタグを記載された所で改行される b 太字。意味合い的にも強調したい場合はstrongを使う。 i 斜体。文章内の意味合い的に強調したい場合はemを使う。 ruby,rt 読み仮名 pre 整形済みテキスト。ソース中のスペースや改行をそのまま表示する。 del 削除線 font フォントの設定を色々変更 u 下線 s 抹消 tt 等幅 blink 点滅 center 文字などを中央に置くことができるので便利。 marquee スクロール mark html5 マーカーを引く 音声や動画、画像等 bgsound 効果音を流す object 外部リソースを流し込む(汎用的だが、ブラウザ実装に依存する)。プログラムモジュールを識別するIDとしてclassidがあり、パラメータを読み込み用として、paramタグがあったりする。 embed html5 プラグインデータ(マルチメディアデータ等)を埋め込む video html5 動画を埋め込む。 audio html5 音声を埋め込む。 img 画像を貼り付けるのに使う。 img src="画像ファイルのある場所" のように使う。html5では関連するものとして、figure等がある。src属性にdataURLを指定すると、画像ファイルを直接指定しなくとも画像を描くことが出来る。 canvas,svg html5 画像描画。svgは若干遅いのが難点、imgタグで代えられるならその方が早いかも。 その他タグ command ユーザが実行可能なコマンド。実装されてなさそう。 details html5 フローコンテンツ的なもの template html5 レンダリングされないテンプレート。javascript等で要素を生成する等UIを弄る時に便利かも。 keygen html5 フォーム送信時のキー発行による暗号化 タグではなく、属性欄に記述するもの autofucus html5 ページを開いた時にこの記述があるタグが自動でfocusされる accesskey キーボードでアクセスする時の値を入れる。Alt+Ctrl(macの場合)+Access-key値 placeholder html5 初期値としての値を入れる required html5 入力必須項目のタグに記述し、入力しない場合は警告を表示する multiple html5 input type="file"の時に複数ファイルを選択可能にする pattern html5 正規表現で入力制限を行う contenteditable html5 Contentを編集可能とする。 autocomplete html5 自動補完する。 contextmenu html5 右クリックメニュー(コンテキストメニュー)的なもの draggable html5 ドラッグ可能か否か tabindex タブ制御順
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English 日本語 Release Note Release Date 14 Jun, 2009 Notes Cadencii requires ".NET Framework Runtime(version 2.0 or later)". Installer of this rumtime is available from the link below. .NET Framework Runtime Download .NET Framework 3.5 SP1 Cadencii can be launched with the latest version of mono. This enable you to use Cadencii with many platforms supported by mono. (Note Several functions using VOCALOID2 VSTi are not available in this case.) Mono is available from the link mono download Download Cadencii version 2.1.0 (603KB) CadenciiSDK version 2.0 (455KB) How to get source codes Source code is available on SourceForege.JP. Please follow the instruction below for checking out the SourceForge.JP s SVN repository. svn checkout -r 255 http //svn.sourceforge.jp/svnroot/cadencii/branches/2.0 ./ These svn command is for checiking out "THIS" version of Cadencii. In order to get the latest source codes, please remove "-r" option.
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#blognavi 手に取って、ほっぺスリスリしたい！思いに勝てず、マヨネーズケースから、ソニーエンジェルを出してみました。 か、かわいい。ベビーパウダーの匂いがします。 このサイズなら、、とあみねこ用のうさぎ帽子をかぶせてみたら、これがピッタリ。 sonyen03.jpg うーむ。 あまりにも可愛いソニエン（ソニーエンジェルの略）と、あまりにも可愛くないうさぎ帽子（爆）。いい機会だから編み直そう。 ソニエン後姿。天使の羽根がみえますか。手足も動かせるよー。 sonyen04.jpg あまりにも可愛いので少し大きめだけど画像をアップします。 sonyen05.jpg とうとう・・封印を解いたのですね。(私はへたれ＾＾；）被りもの 矢っ張り可愛いですね。そうなるとパンツや上着も居るかしら・・・あのね 被せられるなら・・カッパちゃんの変装も見てみたいです。(我が儘者でごめんちゃい。）-- ようち (2006-10-23 14 41 58) ■■■お返事■■■うらん→ようちさんカッパ帽子ですか～～。このあいだコムムスさんちに送り込んだカッパ帽子もテキトーに編んだやつなんだけど、、。うん、また挑戦してみますね。うらんがソニエンにスリスリしていたら、パパが「汚れるからあまり触るな」だって。(ーー;) -- うらん (2006-10-23 15 27 56) うっきゃ～～かわいい～～(≧∇≦)うらんさんが出してみたくなるの判りますよ。べ・ベビーパウダーですか？くんかくんか・・・（￣ii￣）サイト見に行きました。かわいい被り物がたくさんあって楽しかった～ -- ビアンコ＆ロッソ (2006-10-23 16 10 46) 集会所でお世話になっているマルコですはじめてお邪魔します！あんまり可愛い天使（ソニエン？！）なのでぼんやり見とれてしまいました・・・・うさぎさんの帽子も凝っていてかわいいですねぇ♪うしろ姿がとってもキュート！！私まで嬉しくなりました。 -- マルコ (2006-10-23 18 20 53) ソニーエンジェル可愛いですねマヨネーズケースに入ってるって言うのがまたまたお洒落！-- こはる (2006-10-24 00 10 46) そっか～、これはキューピーちゃんと違うんですね。出したくなる気持ち、わかります～羽が生えてて、かわいいなあ～うさうさ帽子も超キュートですね！うーん、この目線にやられますね・・・ -- ぺんた (2006-10-24 01 11 32) わっちゃ～～～めちゃめちゃかわいいや～ん♪しかも、ベビーパウダーの香りとな、、、で、どうやって出すんですか？マヨネーズの口からは、とうぜん出ませんよね。チューブを切るの？？ -- カスピちゃん (2006-10-24 01 46 53) お返事ありがとうございます。拝見させてもらいました。編み図ｺﾋﾟｰして、さっそく作らせてもらいます。すごいですね。ｶﾊﾞﾝやｼｮｰﾙまで・・・ｺﾋﾟｰｺﾋﾟｰ！！超ｳﾚｼ~かったです。 -- ゆっこ (2006-10-24 01 58 36) 羽がついてるとは、わかりませんでした。そしてベビーパウダーの匂いまでするんなんてすごい！！このおめめは動くのかしら？とっても可愛い目ですね。 -- まゆみ (2006-10-24 02 48 54) ■■■お返事■■■うらん→ビアンコ＆ロッソさんソニエンのかぶりものではカエルが人気だったらしく売り切れだったと、サイトを見に行ったともだちが言っておりました。カエル帽子かぶったソニエンて、ようちさんがほしいといわれてたんじゃなかったかな、ようちさんはゲットできたかな。うらん→マルコさんブログ見てくださってありがとうございます。マルコさんのブログに登場していた、ちびくまも可愛かったです。たくろうとかぐや姫のつま恋コンサートの模様は日曜日の夜にNHKで再放送してたみたいですね。昔『僕です、吉田拓郎』って本を持っていました。あれはまだ、たくろうが六文銭？の三角ケイコさんと結婚してた頃かな～。わたしは今日まで生きてみました♪うらん→こはるさんあのマヨネーズの形をしたケースがイイんですよね。確かにようちさんのように、出さずにそのまま飾っておきたいですもん。きよちゃんは元気ですよー。でも今日はかなり寒いから、こはるさんが編まれた青いカーディガンを着せてあげますね。うらん→ぺんたさんカメラ目線なのよね、最後の写真。こんなスベスベのツヤツヤお肌になりたい、、。二十歳前後から顔に出てきた、そばかすがずっとうらんのコンプレックスでしたが、今やシミとあいまって、何がシミでどれがそばかすやらわからん。(^_^;)うらん→カスピちゃん最初は、、マヨネーズケースの赤いキャップをはずしたら出せるのかと思っちゃいました、、んなハズはない！ケースの両端が四箇所パウチされているので、そこを開いてソニエンは取り出しました。ケースを壊さずに取り出せたのでよかったです～。ところで、うらんはカスピちゃんとコレステロール値、同じくらいです。^_^; 3年前くらいから、200をオーバーするようになりました。やっぱり、肥えてきたな、、と感じるとドンピシャであります。何年かはダイエットした体重をコントロールできていたんだけど。うらん→ゆっこさんちびねこのタケヒロは口デカッパよりボディが長く13段で編みました。綿の詰め方などで、人によって頭とボディ、手足などのグッドバランスって変わるので、ゆっこさんが編まれるときも編まれたパーツを見ながら適宜変えてみるといいですよー。うらん→まゆみさんソニエンのオメメは左右にクリクリ動きます。コドモの頃持っていたお人形を思い出します。寝かすとオメメをつぶる、立たせるとオメメを開ける、それが面白かったです。カラダは塩化ビニール製のようです。-- うらん (2006-10-24 08 35 34) キューピーちゃん、裸じゃ寒そうなので暖かい服でも作ってあげないと風邪ひいちゃいますよ。 -- なつ (2006-10-24 17 22 36) ■■■お返事■■■うらん→なつさんおおっと、頂いたコメントを見落とすとこでした（汗）。そーですね。一応マヨネーズケースで保温はしてるんだけど（笑）。たらこ色のフリースで、「ねぶくろ」を作ってあげたいんですよねえ。た～らこ、た～らこ、♪ -- うらん (2006-10-27 19 41 17) nullglances Midas Annapolis!backstage dactyl killing indulged relegating.appeased?Messiah Gail [http //www.guideor.com/11141.html car cheap florida insurance ] http //www.guideor.com/11141.html getaway hexadecimal.reticular chemistries [http //www.guideor.com/02951.html direct line car insurance ] http //www.guideor.com/02951.html Munson Whitfield Charlottesville cork [http //www.guideor.com/22868.html auto insurance specialist ] http 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